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At least the hypothesis is interesting. Stifling The stars Miles Tiller and Nia Taylor Joy as a very respectable two are charged with the mystery project. The criminal corridor is in a country whose name has not been revealed, and every year, new soldiers, who have no attachments or life outside their military lives, are recruited to spend 365 days at work … well, they do not know at first.
The suffocating is giant and filled with fog, and on both sides, there are two clocks, which are secretly managed by different governments. Ultimately, he learned a study (Taylor Joy) and Levi (Al -Aashraf) that their function is to maintain all the stifling of the exit. They resemble military maintenance workers, and they spend their days to check for barbed wire fence miles, automatic towers, and other tools designed to prevent anything from escaping. It is also expected – and to a large guarantee – to live an isolated life. The suffocating and its various protection makes almost impossible to travel between the clock towers, and it prohibits communication between the two.
Of course, the unit leads them to start talking anyway, using high -tech perspectives to share written messages. Stifling It is a film of two halves. The first thing that is somewhat similar to the ROM-Com, where Drasa and Levi discovered each other through music, chess and vodka potatoes. It is a kind of gentle, as well as a kind of anger, because they do not show almost any interest in the massive ambiguity in front of them, even after a close invitation to give a glimpse into the horrors inside.
The second half begins with promises, when a stupid, clear decision is imposed on mystery. There is some elegant optical design inside the suffocating. It is somewhat similar to the head upside down Strange things I crossed with Special death level. At one point, the pair fights giant spiders made of skulls. But regardless of a few wonderful creatures, it is also very derived, not just withdrawal Strange things and death But too Genocide and Caribbean pirates.
This initial promise gives way to a ridiculous thing, it can be predicted, not even somewhat fun. Worse, the operating time for two hours feels very lined. There is a dramatic sequence – and it is recognized that escape – would have been a great place to go out. But instead, it only leads to another work where nothing happens. The final final development of what the suffocating makes in relation to the initial raw materials, and until it takes some heartfelt stabs in the military industrial complex, but everything is lost in dust.
Bad broadcast films are not a new phenomenon, but Stifling She feels disappointing in particular because Apple is itself in a science fiction destination. It is a cute movie, cute sitting next to the exciting excitement like to cutAnd he explains that even the broadcasting services on the chase Prizes and prestige It does not seem to stay away from the derivative slope.
Stifling The broadcast on Apple TV Plus begins on February 14.
