Annie Linux, Kate Bush, others contribute to a silent album to fight the proposals of artificial intelligence


Issuing a new album, Is this what we want?Which features silent contributions of musicians, including Kate Bush, Dameon Alban and Annie Linux, draws attention to Suggested changes The UK Publishing Law on Amnesty International.

The protest album, organized by musician and artificial intelligence businessman Ed Newton RexIt consists of 12 tracks that include more than 47 minutes of silence registered in empty studios and other spaces by more than 1,000 shareholders. “The British government should not codify the theft of music for artificial intelligence companies,” says the titles combined.

The album, along with a previous statement released almost months ago 50,000 designs and artistIt is in line with the proposed changes in the United Kingdom that would allow companies to train artificial intelligence models on fair use as well as copyright content unless copyrights specifically go into the permission.

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On February 25, the UK government held a public consultation on al -Qaeda changes, which it has General criticism fee Of numbers, including Andrew Lloyd Weber, Du Lipa and Paul McCartney.

Companies such as Chatgpt Maker Openai, Google, Microsoft and Apple require huge amounts of data to train large language data models. Information can include everything from digital archives to digital books to social media accounts.

In the case in the UK now, whether artificial intelligence models can be trained not only on the data available to the audience and academic research, but on music and the text (such as song lyrics) as well. Under the changes suggested, companies and individuals who hold copyright for songs or other elements will need to cancel the subscription to prevent companies from training AI on their business.

Read more: New Beatless Video: How to help artificial intelligence and hook music industry

Alina TaravaA British legal researcher and a lecturer that was closely followed by the proposed changes “go beyond music”, but the music industry was well organized in attracting attention to this issue.

Trabova said that the advantage of canceling the subscription to the proposal, “may lead to leaving the oath without any control of their work. This is because the mechanisms of canceling the subscription at the present time can be circumvented.” Artists may be unaware that they should penetrate. Trabova said that the adherence mechanism, which requires rights holders, was proposed explicitly.

She said: “Whatever the government is moving forward, it must follow a kind of unified process that will coincide with perfectly with what the other large judicial authorities do on this front,” adding that the European Union has passed Similar measures As part of the artificial intelligence law last year, but to improve the way to deal with cases to improve transparency and rights reservations.

“There is a continuous discussion about the effectiveness and burden of canceling the subscription models,” said Chris Mamin, a partner at Womble Bond Dickinson, a TECH and AI Law. “With regard to the issue of privacy and consumer data protection, the United States is widely described as following the cancellation model while Europe, with GDP, follows a model of application.”

For this group of changes specifically, “fear of musicians and other creators in the content is that artificial intelligence models trained in their work will be able to generate new or cheap works, on a industrial scale/Supermux, which will lead to obtaining from income from their activities That is the content. “

“There may still be some handrails imposed by artificial intelligence platforms, for example, by blocking the claims that require the directing“ in the style of ”a certain living artist. But one can easily imagine AI’s design to circumvent this type of specified handrail.” He added.



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