Tattle TV has transformed the Hitchcock classic into a vertical “mini-drama.”

most Vertical micro video drama applications We’ve focused on bringing you newly produced series to watch on your phone. But Tattle TV thinks people might also be interested in checking out bits of cinema history.

Although features Tattle TV – a UK-based streaming platform created by directors Philip McGoldrick and Marina Elderton A reality dating series about dog owners And modern drama About a female MMA fighterthe company’s latest debut is a vertical edit of an Alfred Hitchcock silent film The Tenant: The Story of the London Fog.

Similar to other drama mini apps, Tattle TV breaks all of its content into short segments that can be purchased individually using in-app currency (Tattle Coins) which you purchase using actual money. The platform also offers monthly and annual subscriptions for $3.99 and $29.99 respectively, and reward coins – which are essentially the same as regular Tattle Coins – can be earned by “engaging in recreational activities” such as watching ads.

Tattle TV’s content library is relatively slim at the moment, and rotates vertically Tenant Only available in the United States (where the film is part of the public domain) due to licensing restrictions. But in A recent interview with Delivery timeElderton said the company has plans to broaden its catalog by acquiring the rights to other British classics such as Monty Python and Crystal maze.

“Repurposing premium offerings will be an interesting introduction to what the vertical is,” Elderton explained. “There is a large proportion of the British population who don’t know what verticals are, and if we can reach those audiences as well as vertical fans, it’s a goldmine.”

monitoring Tenant On Tattle TV it’s a rather strange experience because there are many elements of the film, such as the original aspect ratio, that simply were not designed for the vertical format. Although you can still get the gist of the story thanks to the internal title cards, many of the actors have been essentially cut from the film in order to keep your focus on main characters Daisy Bunting (June Tripp) and Jonathan Drew / The Lodger (Ivor Novello). Tattle TV version of Tenant It’s also scored with music that sounds more like the ominous stuff you hear in trailers for contemporary thrillers rather than the kind of music that usually accompanies silent films.

Tattle TV’s format and interstitial ads make it hard to get lost in TenantImagination. but McGoldrick is confident Since the company is an “early adopter of cutting-edge AI tools,” it is in an excellent position to produce more vertical releases of classic films and shows that people will be interested in watching quickly. The company could potentially produce a few of these if it could secure the right permissions, but as they currently exist, it’s a bit hard to imagine these sectors capturing people’s imagination.