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The 2025 TV exchange decreased during the weekend, and the results are horrific: Yes, Sony Bravia 8 II won the total competition and my personal prizes for songs, but LG G5 came in last place by a big difference. I was a judge, and I think I have a feeling of what is happening.
If you are not familiar, TV shooting It is an annual event hosted by Value Electronics, a store store store and developed that Robert and Wendy Zohn started in 1998. They have been holding the event for 21 years, and Robert begins proudly by developing registered brands framed for “TV Shootout” and “King of TV”, which is the title on the title on the title on Winning. I followed the results for years, so it was a real excitement when Robert asked me to judge last year and equally when he asked me again this year.
(like platform and Decoder The listeners know that I am on the parents ’vacation for a few months, but the electronic value is 15 minutes from my house and stare on TV in a dark room for several hours with other obsessive obsessive by showing it is my personal sky, so I made a small exception.)
This event is clear and direct: 65 -inch OLED TVs were calibrated from Sony, LG, Panasonic and Samsung professionally as possible to refer to the criteria written by Dwayne Davis, which is a familiar ISF calibration in NERDS NERDS at D. TVs (and MSRP) this year:
Robert had asked many participating manufacturers, and most of them refused, knowing that they could not compete. The Mini LED TVS also excluded this year after it did not go to Olds last year; He plans to get an exchange of shooting later.
The photography judges were all professional exhibition experts working in and around the film industry. Many of them judge the shooting for years until now. She was:
The rest of the room was full of engineers and marketing personnel from Sony, LG and Samsung, many YouTube owners, and many other obsessions, while paying attention to close attention to the ruling and differences between screens.
The judges were asked to evaluate an objective professional reference from each group closely for each group of professional reference observers from Sony Bvm-HX3110 through a number of categories in a very dark room, using both the test patterns and the real content that is delivered from a Panasonian player Avpro Edge 8×8 HDMI Matrix And handing it over The bullet train is the visual HDMI cables.
The closer the image to BVM reference screens, the higher the result, the higher the reference, the lower the result. There were categories in which some self -TVs might seem better One of the reference screens, especially in dark scenes where all TVs tend to enhance shadow details to be more clear. But the judges were directed to give fewer degrees to deviate from the reference in either direction. We were also directed not to compare TVs together, only to reference screens.
It was only the last category, “Bright Room Out of the Box”, which was completely self -self, which allowed us to compare TVs together. As the name suggests, the shadows were opened in the room, and television devices have been assigned to the non -normative exit conditions with energy saving features. More about this in a moment.
As is always the case, this means that an exchange of shooting is finally delivered very A specific type of winner: TV that can be carefully paid to matching an expensive professional reference screen when displayed in a dark room. We haven’t seen anything else at all: not games features, HDMI inputs, operating systems, or even Dolby Vision support (that Samsung does not own). This was the whole about the limits of image quality and image quality alone. There are many reasons that you can choose for any of these TV devices that have nothing to do with the extent of their calibration to match a reference show, but this is not what is going on around Shootout.
It is a great upgrade year for OLED TVs: Panasonic returned to the US market with Z95b, and there are new panel techniques in this mix. LG and Panasonic use OLED panels for the first time, while Sony and Samsung uses new brighter paintings. (You can easily pretend that Samsung provides Qd-OLEDS and LG behind the tandem, but none of the manufacturers will confirm anything.)
The basic common denominators of the panels mean that the shooting really emphasizes the differences in image processing between manufacturers, and the results were great. Panasonic had an incredibly strong show, first in HDR tests and the third in general with only hair. Sony won the title of TV king for the seventh year in a row, which will not do anything to rid critics who say that measuring the extent of everything can reach a Sony reference width that means that Sony will always win. But Samsung was very close to the second, and on my eyes, it really left behind because Samsung could not help itself when it comes to colors – everything was generally more saturated and vibrant than the reference screen.
The manufacturer |
The contrast / gray |
color |
He treats |
A bright living room |
General average |
|---|---|---|---|---|---|
| LG OLED65G5WUA | 3.69 | 3.84 | 3.31 | 4.06 | 3.68 |
| Panasonic Tv65Z95BP | 3.84 | 3.97 | 3.78 | 4.25 | 3.92 |
| Samsung Qn65s95fafxza | 4.38 | 3.88 | 3.66 | 4.19 | 4.00 |
| Sony K-65xr80m2 | 4.41 | 3.84 | 4.22 | 4.19 | 4.16 |
The manufacturer |
Dynamic range / EOOTF resolution |
color |
He treats |
A bright living room |
General average |
|---|---|---|---|---|---|
| LG OLED65G5WUA | 3.41 | 2.84 | 3.34 | 3.94 | 3.30 |
| Panasonic Tv65Z95BP | 4.03 | 4.00 | 3.97 | 3.88 | 3.98 |
| Samsung Qn65s95fafxza | 3.88 | 4.13 | 3.72 | 4.38 | 3.97 |
| Sony K-65xr80m2 | 3.94 | 4.03 | 3.53 | 4.19 | 3.88 |
The Shocker was the gloomy display by LG G5, a very expected collection due to the new OLED panel. There is no other way to say this: the G5 mainly failed in many tests, as the wrong colors show some linear test patterns, large antiques of posters in dark scenes, a slight green representative that retains the appearance, and a general inclination to push color and brightness in dark scenes in ways that did not require display display operations. She made LG Sansa Stark look like it had a full red rash game of thrones The scene that Sony and Samsung dealt almost perfect. “There are a lot of problems with LG this year,” said Judge Cecil Meed. I heard other judges say, “Have you seen what LG is doing?” More than once. In fact, the G5 was so far from some test patterns that Dwayne reminded the judges that the lowest possible degree was 1, not 0. This is a generally bad sign.
If I have to explain the reason for LG weakened while Panasonic did a good job using the same painting, then I put it on confidence, on the border with the disposal. Test patterns tend to reveal that the processing of Panasonic images is strictly through the book – the new child in the school plays exactly through the rules, while all other manufacturers have learned the place where they want to pay things or make their own choices.
A simple example is HDR details: Panasonic, frankly, accepts the HDR content definition that is offered and does not display any details that exceed the brightness included while all other manufacturers have learned that the HDR qualifiers are often inaccurate, so read the content directly to know the best way to display, which is often displayed in additional details. This may lead to a decrease in the degree of artistic shooting, since it is a deviation from the strict reference image, but TV makers do it all because they have learned that consumers will reliably complain about the loss of details in the prominent points and shadows, and not about the existence of a lot.
These tricks and small tactics are the result of the experience of building these offers and what appears to be clear attempts to distinguish in the market. Sony is proud to adjust the self at the reference level, tends to get this result, while Samsung uses the same painting to present the Samsung colors. I would like to say, based on the third place of LG in Shootout last year, that LG has learned a vital and contradictory appearance on TVs more than the ability to calibrate closely to a reference screen.
Everything reached his head in the “bright room outside the box” test, which was somewhat controversial in the room. It is a completely personal test with no real standard to measure it, and all manufacturers spend almost all the time of engineering while making sure they look great in this way because most people put their TV devices in a bright room and never change the settings. There is no way to evaluate TVs for this caliber against each other in this test – they are really due to personal preference. “They are all brutal – all of whom are bright, all of them are colored. What is also there to say?” David McKenzi, a judge in the committee who also helped compose the UHD specifications. You can see it in the grades, as LG managed to pull itself to the competition and pushed Samsung’s saturated colors to the initiative in the HDR test. I will go to the point that the score of the bright rooms is important, but it must be removed from the averages that determine the winners, because it is mainly a wild card.
This is true: The exact differences between these groups take a dark room and a lot of time and calibration to see. Anyone puts one on the wall will undoubtedly be happy to buy, especially if you are treating things like HDMI and Dolby Vision ports in your decision. I have both Sony and LG OLED TVs that dazzle all those who are reliable, and many people love to look at contrast-LG price signs are cheaper.
But if you are chasing perfection at the reference level, this is another year for Sony, while it seems that LG has gave up this particular game. And I think Panasonic will put a larger battle next time.