Director “Edengton” Aryster could not carry “live on the Internet.” So he made a movie about him

Edington It also explores conspiracy theories, podcaster and YouTubes who publish them online for influence and profit. Phoenix will often return home to hear some of the non -embodied sound that explodes baseless claims through loudspeakers from an abandoned laptop. Later, his wife (Emma Stone) or her mother -in -law (Derdari Ocunil) will renew these marginal theories on breakfast.

Once again, ASTER built this dark angle of his world of the source of real life.

“There was one thing that was inspired by someone I heard on the street in New York with Microfon,” he says. “I wrote it later. Others were withdrawn from different angles from the Internet.”

The general goal of Estir with Edington To convey the overwhelming feeling that you are on the Internet today, while still making a convincing movie.

“It was important to get the largest possible number of sounds in Cacophony and represent the largest possible number of internet angles – to present a coherent story about the unconnected MIASMA in which we live,” he says. “I hope to appear more, but we did as much as we could without or no longer support the story.”

Artificial intelligence creates a “era of complete lack of confidence”

Edington In the first place, it may be a movie on how to break social media of our brains, but there is another technological innovation that ASTER was keen to act in his movie: Artificial Intelligence. The film begins with a plan to build AI’s training data center on the edge of the city, a conspiracy point that appears several times throughout the story (including in the Plotline electoral line, with Phoenix’s personal campaigns against the shaded commercial interests behind the new facility).

“It is often my surroundings,” says Aster, but for me, it is the heart of the movie. It is a movie about people who live through Kovid, and they move in a crisis. At the same time, directly outside the city, another crisis is cooked. “

In a recent interview with LetterboxdThe director saw that he was “very late” to stop artificial intelligence. But when you press the pros and cons of artificial intelligence, ASTER describes it with a mixture of wonders and fear.

“I am in awe of what you can do, but I am also very annoyed,” tells me. “We live in the era of complete lack of confidence. This type of image can lead to the end of the video or sound.”

As a director, it worries the ability to create a transcendent art that is “flattened” through the tools of obstetric intelligence, while at the same time he admits that it opens the film industry to people more than ever. “Democracy has been canceled in an exciting way,” he says. “There are more possibilities now, but there is something that goes away too.”

On its way from Aryster, the mineral mind behind some of the most annoying visuals in the twenty -first century (from the unexpected head of the head that sets out Genetic To the literal penis monster in Beau is afraidYou are already missing the era of more strange AI images.

“In the beginning, when these systems were hallucinated and created strange pictures – 12 fingers, strange things – they were more interesting to me,” he says. “The more polished, the less exciting and more worrying.”

About that end …

Warning: The spoilers in the forefront of the end of Edington.

Although sometimes the feeling of Coen Western on amphetamines, Edington It is impressively based on the period of its operation for about two and a half hours-until the final work. After killing Phoenix Pascal, then Blm’s local demonstrators framing, a plane full of actual anti -fascist terrorists flying to the city and starting to detonate everything.