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A decade and a half has passed since the audience visited the network. All this changes on Friday, when You see: Ares Hits theaters. Film stars Garid Lito As a program called Ares, which was sent on a task to the real world, it ends with a change of its programming, the fabric of the digital world and the future of humanity.
It is an audio boom for a science fiction movie. Voice and visual scene is worth watching on the largest possible screen. I don’t exaggerate when I say TON: ARES is largely the best Tron movie. In style and notes, a story reminds us of The Matrix, Blade Runner and The Terminator, Tron: ARES does not re -invent the wheel even once. It is not really necessary.
The last time we entered the digital scientist Kevin Flynn was in it 2010 You see: Heritage. This second part came after 28 years of the Tron movie Tron’s Revolution, starring Jeff Bridges in the role of Flynn, in the use of special influences in the cinema. However, the return full of neon to the world of TON, with the expansion of some basic details within the story of the story, did not succeed with the fans, and the second part planned has never seen the light.
What is the difference that 15 years can make?
Greta Lee, Garrid Litho and Arturo Castro are starring in TON: Ares.
It does not take much to engage in TON: ARS, and you do not need to be aware of the events that occurred in previous films. An enrolled sequence at the beginning of the film, which includes news reports, makes the audience familiar with the past events and the current drama that reveals in the world of technology.
Two technology giants, Dillinger Systems, run by the arrogant Julian delinger (Evan Peters), and ENcom, led by the tormented but foolish but full of hope, are involved in a feverish arms race for artificial intelligence, so to speak. The search for a specific line of code is what sends Ares to the real world to start.
Like the original TON, the rhythms of the story are slightly spread over almost two hours from the time of display, which puts a somewhat shallow plot. As with the original movie, Ares is full of amazing visuals and amazing effects that, for me, however, made the lack of plot a problem.
One of the important reasons for this is the emotional risks that make up the foundation of the film. We discover early that Eve is struggling to achieve her goal while dealing with grief over the loss of a member of her family. Ares, like Tron: Legacy’s Quorra (Olivia Wilde) before him, is a program with an unrestricted curiosity about existence outside the network. It ends up with the duo in a collision path, and their dynamism and their chemistry are the ones that help carry things, even through the parts where the plot is almost not exist.
I am very familiar with “Lee” as a comedian, but she has proven her ability to withstand the dramatic starring role here. TON: ARES is a display of strong women’s characters, where Lee leads the attack alongside Jodie Turner-Smith (the wonderful as ATHENA) and Gillian anderson, who, although they are not taking advantage of them, raising the single-tone ELISABTHER ELISABETHER with one tone to an attractive and graceful person.
Jared Leito and Jeff Bridges play the star in TON: Ares.
As Ares, he accomplishes the task. Ivan Peters and Jeff Bridges, who appeared again in this second part as Flynn. But each of them embodies a personality that lacks depth. Bridges can escape from it – Flynn is a legend in TON Canon, and after four decades, I can forgive him to appear wearing a robe and did the best of his Jaidai Shetek.
Aris and Deleinger feels that they were specially designed to push the story forward. Each of them lacks the real depth that would make the viewer completely adhere to what he does or cares about. Without Terner Smith playing in the opposite direction, Litho’s performance is likely to decline.
All this may be a break of deals for other cinema pioneers, but thanks to the special effects and the hacked audio scene provided by Nine Inch Nails, TON: ARES has never felt that he lost a step with me. Yes, I am speaking as a middle -aged man – which is important to be noticed, because there were several times during my watching the film in which I felt the pain of jealousy from nostalgia to all children who will enjoy games that will surely be released as links to the film.
You see: Aris arrives in theaters on Friday.
In fact, every vehicle was presented at TON: ARES You left me feel active, as if I was somehow getting the Transformers that I always wanted. Here, there are GID aircraft, GRID boats, and the GRID tank, as is possible SeenThe giant identification device that violates the real world and is really a view worth watching.
Nostalgia plays an important role here, with many gestures of the original, including a major scene that made me clap with an audible voice on the screen.
You see: Ares offer many highly concept ideas, but he fails to explore them in any real depth. Artificial intelligence in the vanguard here. Sadness, passion, death, our relationship and dependence on technology and artificial intelligence capabilities to achieve good – which is something that I see in films – all of them were addressed here. But like the plot, there is not much essence under the shiny crust.
Greta Lee plays the starring role in TON: Ares.
If the end of the movie has any significance, it may be according to the design. Perhaps Tron: Ares is Disney attempt to restart this famous concession. Ideas are presented and the film ends with a double suspense that may lead to more Tron, if the box office justifies it. We hope that the next stage, if we get the next stage, will not be shy more deeply.
This is the most enjoyable Tron movie, which is a mobility of light and sound. My inner child satiated and made me excited about seeing again. This may be the popular movie that Disney needs at the present time. This is what I need, so I have no complaint.