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South Park fans have at least five years from Cartuman, Susan, Kyle and Kenny to look forward to. Tree Parker and Matt Stone, creators of the long animated program on South Park, made a five -year deal to bring their offer to Paramount plus Paramount Global Running rights.
The duo will continue to make 10 episodes annually, such as I mentioned in Los Angeles Times; This deal replaces those that had concession HBO Max And its mother company, Warner Bros. Discovery. The South Park team was imprisoned in negotiations for several months, as it could have been a deal worth $ 3 billion and 10 years, According to previous reports.
The deal covers broadcasting rights only and does not include promotion or what Park County gets a husband’s marriage in a separate deal with Comedy Central to keep the offer on this network.
It was the twenty -seventh season of the exhibition Delayed until July 23 Because of the scenes maneuvering that involves a continuous acquisition of Paramount by Skydance Media. The television series began on the Central Comedy in 1997.
Parker and Stone will take the theater in San Diego Comic Kon the next day for the movie on July 24 For the painting With Saturday Night Live Alum andy Samberg, Beavis and creative butt-head mike judge.
What does this mean for TV viewers and broadcasting industry
Paramount investment in South Park is a “bold bet on the future of broadcasting”, Jason Verchail, CEO of the company TvscientificTV advertising company, tell CNET.
“While other parts of the media scene work to integrate or trim fat, Paramount doubles on the exclusive IP to consolidate its platform and compete for attention in a crowded market,” says Vertcheild.
Other broadcast competitors, including Netflix Amazon Main Video Ownership Cut the deals for sports programming And global content, he says. “The basic strategy is clear: having content that pays subscriptions and shares.”
Verchald says that viewers can be increasingly dependent on advertising backed broadcasting levels if they feel that they cannot have access to all the distinguished content they want through a fragmented field of paid signs.
“It looks like a very aspiration, closer to what Netflix might look forward to than the traditional studio.”
Shatner says the deal can be the beginning of the trend for more direct creators’ deals.
“It will not surprise me if this agreement becomes a model for other large ticket programs that the studios want to keep,” he says.