More than 1000 photos were taken with Xiaomi 15 Ultra. Check my favorites

Xiaomi 15 Ultra provides a lot to justify its main position and its high price. From its strong processor to the vibrant display screen, it is great to use it, but preparing the camera is the main reason to look at this phone on competitors’ offers.

The 15 Ultra has been tested since I got it at the end of January and took more than 1000 photos. From my city in Edinburgh, to Barcelona and even in the frozen and winter Sweden, it was used by a variety of circumstances and I really understood the camera.

Here then a selection of the favorite pictures you took with Xiaomi 15 Ultra.

We start, of course, with the image of my beautiful orange cat. I love this shot because it is very moody, with deep shades and highlighting his face completely.

I think the camera did a great job here. I often find that the phone cameras are trying to brill the mysterious areas unrealistic, eliminating any kind of drama in the scene. But here, the strong contrast and the image remained better.

This shot is taken with the automatic mode of the main camera, which is bright, vibrant and full of details.

Exposure here is also displayed, as it captures the filter of sunlight through flowering and keeps a soft, soft, soft, to the sky behind.

There are many filters that you can choose from, but my favorite is a high white and white contrast. It gives a perfect look to photograph the streets like this.

I took this using the main camera, and I love this moment I was able to capture. The use of a photography phone in the streets can be amazing because it allows you to mainly survive.

The camera around the world works well in this context as well. Here, I managed to pick up street performance away, while using the nearby crowd like the frame.

Again, the tone with a high contrast in black and white works well.

It also looks great when using 4.5X optical zoom lens.

This snapshot works completely well, and I really love how I managed to freeze the laughing faces of strangers who were forced to stick to their hands as part of the performance.

I took with a phone lens, I love the normal depth of the field around these spectators.

The large photo sensor and a wide F/1.6 aperture allows the phone to take great look images when the light begins to fade.

The bright sun and the mysterious introduction make this picture of any camera to capture it, but I love the balance of 15 Ultra here. The sky was completely exposed and there are sufficient details in the shade to find out what is going on, without anything unnatural.

I took this snapshot using the Teamouto camera in the PRO mode for manual control in the white color balance. By default, the camera tends to errors on the great side, which I did not like much and was not better when filming a vibrant sunset like this.

By manually heating white balance, she managed to take a much better picture with beautiful orange tones in the sky.

Warm tones look great.

In the Arctic, I lovely I love how the camera captured on the clouds of Ray or “Perle’s mother” in the sky.

Again, I used this white -speaking white balance to obtain tones properly.

The lens around the world has done a great job in picking up this evening scene in Stockholm.

I find that the black and white situation works well at night as well. Here a mood snapshot of this person has taken a break with their phones before performing Flamino dances in the restaurant where I was eating.

I photographed this using the lens widely in DNG RAW so I can apply a more cinematic look on the image in Adobe Lightroom. I think Toulouse looks great, and the image is full of details.

ABRAR Al-Heeti of CNET looks great here, with distinguished exposure and beautiful background outside the focus thanks to the effective image of the phone.

More black and white photography on the street. 15 ultra is great for this purpose.

Black and white mood, because this is what I am.

I wanted an old feeling of this snapshot from the old Land Rovers, so I took the image in Raw and made adjustments to Lightroom later.

I allowed me to use the lens of the livestock enlargement here by approaching these engineers who seem to be looking for something in the water. Do they drop anything? Did they see a fox? who knows!

I canceled this image when I took it in order to preserve the bright sky under control. But I shot him in Raw, and she was able to save a large amount of shadow details in Lightroom, as well as applying some other modifications to colors and exposure.

The result is a balanced scene with beautiful sunset tones. I really admire the scope that works with raw files of 15 Ultra.