divine

And other things

Archive team. مشروع الأرشفة المجتمعي هذا ليس تابعًا لـ Archive.org، ولكنه عبارة عن مجموعة تعمل معًا لحفظ مواقع الإنترنت المعرضة لخطر الضياع.

“So, basically, I’m saying, can we do something that’s kind of nostalgic?” He told TechCrunch. “Can we do something that takes us back, allows us to see those old things, but also allows us to see the age of social media where you can either control your algorithms, or you can choose who you follow, and it’s just a feed, and where you know a real person recorded the video?”

Rabble estimates that the app has a “good percentage” of the most popular Vine videos, but not a large number of longer-form videos. For example, he says there are millions of K-pop-focused videos that have never been archived.

Vine creators, who still own the copyright to their work, can submit a DMCA takedown request to diVine if they want their Vines removed, or they can verify that they are the account holder by proving that they still own the social media accounts that were originally listed in their Vine bio. (Although this process is not automated, there may be a delay if a large number of creators try to do this at once.)

To verify that new video uploads are human-made, Rabble uses technology from the human rights nonprofit

“Nostr — the underlying open source protocol used by diVine — empowers developers to build a new generation of apps without the need for venture capital support, toxic business models, or huge teams of engineers,” Jack Dorsey said in a provided statement. “The reason I funded the non-profit and other things, is to allow innovative engineers like Rabble to show what is possible in this new world, using permissionless protocols that cannot be shut down at the whim of the company owner.”

That the company discovered old video archives. But so far nothing has been released publicly. وفي الوقت نفسه، يعتقد مشروع diVine المدعوم من Dorsey أنه نظرًا لأن المحتوى يأتي من أرشيف عبر الإنترنت ولا يزال المبدعون يمتلكون حقوق الطبع والنشر الخاصة بهم، فهو استخدام عادل.

Rabble also believes there is consumer demand for this type of non-AI social experience, despite the popularity of generative AI content and the widespread adoption of apps like OpenAI’s Sora and Meta AI.

“Companies see how interactive AI is and think people want it,” Rable explained. قال: “إنها مربكة، مثل – نعم، يتفاعل الناس معها؛ نعم، نحن نستخدم هذه الأشياء – ولكننا نريد أيضًا التحكم في حياتنا وتجاربنا الاجتماعية. لذلك أعتقد أن هناك حنينًا إلى عصر الويب 2.0 المبكر، إلى عصر التدوين، إلى العصر الذي أعطانا البث الصوتي، العصر الذي كنا نبني فيه المجتمعات، بدلاً من مجرد التلاعب بالخوارزمية”.

diVine.video.